Most of your suggestions are problematic, in the sense that 1) I work in film and 2) I can't develop/print/modify color prints myself. This severely limits my choices. Hence the attempt to find a way of being "different" by not modifying anything--which, admittedly, may not work at all. Or may only work a few times. Most of these have different crops/levels/PS stuff in my DevArt account, but I grow weary of fiddling with things. I can spot it right away and if I can tell something's been done, it tends to distract me. I'm more documentary-focused than stylistically, I think.
What's weird about this selection is that half of them are photos I like and half were chosen by Mr. Daroga, inexplicably to me (pigeons, the bus and the horse/indian model, for instance, are ones I never cared for, but he's an art teacher, what do I know?).
I really appreciate your opinions. I need that variety.
no subject
Most of your suggestions are problematic, in the sense that 1) I work in film and 2) I can't develop/print/modify color prints myself. This severely limits my choices. Hence the attempt to find a way of being "different" by not modifying anything--which, admittedly, may not work at all. Or may only work a few times. Most of these have different crops/levels/PS stuff in my DevArt account, but I grow weary of fiddling with things. I can spot it right away and if I can tell something's been done, it tends to distract me. I'm more documentary-focused than stylistically, I think.
What's weird about this selection is that half of them are photos I like and half were chosen by Mr. Daroga, inexplicably to me (pigeons, the bus and the horse/indian model, for instance, are ones I never cared for, but he's an art teacher, what do I know?).
I really appreciate your opinions. I need that variety.